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Imagine your music

Sven Faulconer, born and raised in Belgium, is a Los Angeles-based composer for film and television. His musical style covers a wide and unique range, which is reflected by the remarkable list of credits that he’s acquired over the years.

A keen sense for collaboration and strong storytelling skills have earned him additional music credits on blockbuster movies like The Hunger Games, Nightcrawler, Catching Fire, The Bourne Legacy, Mockingjay Part 1, The Green Hornet and Parkland. His original approach on independent productions has resulted in numerous scores with a very distinctive character.

Sven started studying music at the age of 6. He quickly developed a taste for improvising on the piano and soon began writing his own pieces. Throughout the years, Sven became a passionate clarinet player and performed a number of clarinet solo concertos with symphonic orchestra.

His studies took him on an exciting journey, starting in Ghent, later moving to Rome to conclude his academic career in Los Angeles at the renowned UCLA Film Scoring program. He’s always been impressed by the powerful synergy between music & film, as well as by the fulfillment which the film scoring process brought to him.

Since his move to Los Angeles, he’s had the pleasure to learn from several A-list composers – more specifically his experience at Remote Control (Hans Zimmer’s studio) and his ongoing collaboration with James Newton Howard, composer of films like Maleficent, The Sixth Sense, The Dark Knight and I Am Legend.

Hunger Games: Mockingjay Part 1

Credit: additional music, additional arrangements and synth programming Director: Francis Lawrence
Sven’s collaboration on the Hunger Games series has been an absolute thrill, and it’s been no different working on the third installment of this hugely successful franchise. James Newton Howard did a remarkable job on the previous two movies, during which he’s been able to develop a very distinct set of rich and moving themes. Francis Lawrence and James Newton Howard are sure to outdo themselves on this one.

CREDITS

Music

#
TITLE
TIME
1
War Propaganda
0:44
2
Special Ops
2:05
3
Arthur and the Bunnies
1:36
4
Day to Night
0:43
5
Romulus
1:42
6
Thinking About Celine
1:36
7
I'm Done Playing Nice
1:35
8
There's Always Hope
1:56
9
Everything Goes Downhill
1:55
10
Twisted Chase
1:26
11
We Can Win This Game
1:58
12
Everything Goes Downhill
1:55
13
Arthur in the Lobby
1:13
14
I'm Done Playing Nice
1:35
15
Building Something Together
2:06
16
Arthur
0:51
17
The Pickup
1:38
18
Arthur and the Bunnies
1:36
19
Drunken Dance
0:48
20
The Painting
4:16
21
Romulus
1:42
22
War Propaganda
0:44
23
The Escape
1:42
24
Special Ops
2:05
25
Wrong Way
1:16
26
Twisted Chase
1:26
27
The Final Battle
1:01
28
The Rising Shadow (suite)
3:47
29
We Can Win This Game
1:58
30
My Hero
1:33
31
Believe in the Good
2:05
32
Ancient Voice
0:35
33
Passing the Test
1:46
34
Thinking About Celine
1:36
35
Parade Prep
3:32
36
There's Always Hope
1:56
37
Waiting
1:01
38
The Pickup
1:38
39
Day to Night
0:43
40
Cemeteries Refusing
1:22
41
Sunrise in Cutbank
3:04
42
Free to Choose
2:22
43
Dinner Flashback
0:40
44
Trauma Room
5:07
45
Chair X-Ray
0:42
46
Street Flashback
0:58
47
Alternate Fifths
3:28
48
A Child's Mind
1:38
49
Past The Abyss
0:36
50
Hallucination
1:12
51
Cemeteries Refusing
1:22
52
Bacon and Bunk (cartoon)
0:51
53
Daffodil Waltz (source)
0:27
54
The Painting Ends (end credits)
1:28
55
At the Bar (jazz)
0:44
56
Ay Caramba (salsa)
0:12
57
Russian News (military march)
0:55
58
Rhubarb Jam (jazz)
2:40

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